Ma Yifu's Study Of Aesthetic Thoughts During The Anti-Japanese War

Ma Yifu is one of the representative people in modern new Confucianism of China, which occupies an important position in Chinese modern history in terms of culture and ideology. The outbreak of the Anti-Japanese war led to the specific expression of Ma's aesthetic thought, and this will trigger a Ma's lectures, education, artistic creation and a series of related aesthetic practical activity. It is said that the Ma Yifu's academic thought have stayed presenting stage in the period of Anti-Japanese war and this means that his thought includes aesthetic ideas, mature. During this period, the aesthetic features different from other modern Neo Confucianism and contemporary scholars have involved in his thought.As for existing academic research achievements, Ma had not yet been recognized "aesthetician". However, he continued their consistent scholarly ideas, which is means that he mainly focused on Confucianism as the key of unified various knowledge. New aesthetics materials had been formed in his speeches, letters, poem and communication with other contemporary thinkers and aestheticians. Eventually, his own proposal and practice aesthetics ideas had been presented, and this is aesthetics, which means that the core concept is minding control the six arts. Meanwhile, his thoughts is not isolated that aims at both himself and society. Because of the special background of the Anti-Japanese War, Ma Yifu was able to continuously in the process of speech, education, artistic creation and other scholars thought the collision of the unique characteristics of the fused into the Ma's "mind control the six arts " as the core of aesthetics.This dissertation can be divided into six parts:Part ?: Introduction. This part introduces research of trajectory, outlines the current status of research on Ma's thought. Meanwhile, defines the paper relates to the concept of time.Part ?: Internal and external factors of Ma's aesthetic thoughts in the period of Anti-Japanese war have been inducted. Based on "the background and the general premise of the Anti-Japanese war" as Ma's aesthetics thoughts, Ma's aesthetics blossom fruit were produced by emitting effect during this period. In addition, the elements of Chinese and Western Aesthetics, and modern new Confucian academic factors were accumulated in the process of his growth, and this is also in this part of the focus research content.Part ? : Aesthetic thoughts were analyzed in the period of Anti-Japanese war. Specifically, the first comb Ma during the Anti-Japanese war proposed a "mind control the six arts" aesthetics ontology. Secondly, this explains that "cognize the benevolence", "taste the benevolence" and " practice the benevolence" aesthetic theory of expression were put forward by Ma during the Anti-Japanese war. Finally, it summarizes that " restore the nature " education concept were put forward by Ma during the Anti-Japanese war. An important part of the above three aspects can be regarded as Ma's aesthetics during the war of resistance against Japan, which becomes an organic whole.Part ?: Combined with history, his aesthetic activities were reproduced in the period of Anti-Japanese war. These mainly include Ancient Chinese Literature Search lectures which had been hold in Taihe, Yishan for the teachers and students of Zhejiang University in 1938. Also, Wuyou temple in Jiading, Sichuan province had been built in 1939 because of his academic activities. Moreover, the creation of poetry, calligraphy, engraved books and other activities were presented during the war.Part ?: Based on careful analysis, we can explore his aesthetic communication with other thinkers during the period of Anti-Japanese War. During the period of Anti Japanese War, there exist many key links between Ma and other thinkers and estheticians in terms of academic issues. These communications mainly include that Ma Yifu and Xie Wuliang's aesthetic communication, Ma Yifu and Xiong Shili's aesthetic collision, Ma Yifu and Feng Zikai's aesthetic communication, Ma Yifu and Ye Zuowen's aesthetic controversy, Ma Yifu and Zhu Kezhen's aesthetic conflict etc..Part ?: Conclusion.