On The Spiritual Orientation Of Female Painters' Self - Portrait

Self-portrait as a manifestation of a special portrait, object of concern is the artist directly, that they used to show themselves, look at oneself, dialogue itself. Reflect the artist’s self-analysis and performance of human courage, is pointing to internal arts, visitors seeking artists true inner channels of the best in the world. Through the study of Chinese and foreign women artists self-portraits through the reality of me to show me such a profound turnaround on the canvas, in-depth analysis of the works of women artists self-portraits and paintings after and hosted by a deeper connotation. Such as age, political background, social environment and gender relations. From the point of their impact on women’s self-portrait art.Female self-portrait of the artist in relation to male artists, hosted by its picture message is more rich and complex. A woman, especially those in the art work of women relative to men, they are more sensitive to the taste of the world’s delicate and beautiful. In the traditional male-oriented society, and men of different physiological, spirit, life, social values required, to fully achieve creation of the freedom and independence they require more effort and perseverance. As a "second" woman painter, self-portraits of restoring their original is fuzzy features art themselves rather than the man’s eyes in sure, expression of physical experience and emotional experience of the women themselves, explore the attitude of women themselves and society by women themselves. On Sino-foreign female artist with self-portrait as a carrier, in part by the hands of male discourse power in the history of the art of restoring, identity and establish the identity of the process.