The Formation And Development Of Freehand Brushwork Language

Figure painting art form is throughout human history, has been in constant change, and themerits of the pen and ink is decides the Chinese figure painting is the key to good or not, itrepresents not only the painting techniques, more important is that it is bearing the weight of theChinese nation for thousands of years of social and cultural connotation and aesthetic valueorientation. This article is based on the discussion of the changing process of Chinese figurepainting ink language and the summary of the development of pen and ink language, to study theformation and development of freehand brushwork figure painting ink language process, andmade a summary on it. This paper discusses the language since traditional Chinese freehandbrushwork figure painting ink changes in the development process, the freehand brushworkfigure painting ink from traditional freehand brushwork in traditional Chinese painting tomodern realism to the contemporary expressive go all the way down, it took hundreds of years,but it from beginning to end never get rid of a certain social environment and aesthetic value, itis verified the point:"pen and ink when over time". This article is around the different era, in thehistory of how the ink when over time this center, from the traditional figure painting inklanguage to show, to the combination of Chinese and western modern Xu Beihong, to thecoexistence of personalized, diversified development trends of the contemporary study oflanguage and the law of the development of freehand brushwork figure painting ink pen and inkis how to step by step from the traditional into the modern society, in combination with thedifferent stages to figure painting in the history of pen and ink language study and explore thepainters of case analysis, according to their unremitting pursuit of the figure painting inklanguage and innovation, summarizes from tradition to modern freehand brushwork figurepainting ink language formation and development trend. In this study, we find that, different time,artists live different time background, aesthetic orientation is different also, every artist isdifferent, the various factors make their respective in painting has its own different feelings andideas, so they paint is constantly changing, so I come to the conclusion: language representationsis freehand brushwork figure painting ink along with the development of The Times change andthe corresponding change, was conducted on the basis of inheriting traditional good inkdevelopment innovation process. So, today’s artists should be more in the direction of the effort,to look more to the modern people, more attention to the present society, cut into the presentmoment, constantly looking for suitable for contemporary society at the same time have theirown artistic personality style of painting, to take advantage of the contemporary cultural contextand a new painting language expression gives freehand brushwork figure painting more tension,thereby real expresses the artists of the present social experience and true feelings for life. Makethe freehand brushwork figure painting has the unique charm and temperament and synchronous development with The Times, this is our today’s artists shoulder great responsibilities and noblemission. In other words, in the face of today’s complex society, we should constantly learning,with richer knowledge and more open field of vision to study to explore in the face of freehandbrushwork figure painting ink, on the basis of inheriting the traditional pen and ink, we are boldplay their subjective initiative, don’t be a slave of comfort, to constantly breakthroughs, innovate,looking for the performance of the method adapted to the era of ink, is to learn from traditionalart skillfully combined with The Times. If you can do these two points, that in the contemporarybrushwork figure painting ink can not only keep the traditional art spirit, and reflects the modernpen and ink, it is also a freehand brushwork figure painting in the basic line of contemporarysocial reform, thus ensure the freehand brushwork of traditional Chinese painting has alwaysevergreen truth and the root cause.