A Comparative Study Of Folk Songs Of Mongolian And Dong Minorities In China

Chao Lin Road and Dongzutaige, namely the Dong ethnic Mongolian music andculture in one multi-part, there is no command, without the accompaniment of folkchoral music form, its historical development, cultural practices are different,their music features, is not the same form of expression, comparative study ofthese two multi-voice choir folk nation with academic and artistic value veryimportant.This article will tide Lindau Dongzutaige together with comparative studies,and because of the influx of Lindau and Dong Dongzutaige as Mongolian folkmulti-voice choir, itself has a typical multi-part choral folk characteristics,simply because of its precipitate out as different forms of labor to produce twodifferent regions in different environments generated by the influence of thedifferent historical backgrounds of the two different forms of music, but it hasthe same mentality treat ecological environment and be able to live in harmonywith the environment, this is our multi-voice choral music in the form of the commonfolk, it is worth exploring, they are not representative, it can not representthe country’s multi-voice choir songs. However, in the soil is now the era of rapidcultural transmission, tidal forest road and Dongzutaige survival exist,ecological and cultural environment was different forms of destruction, how toprotect the heritage of these two multi-voice chorus is particularly folkimportant.Article text has four chapters: the first chapter a brief introduction of whatis a multi-part choral folk songs and elaborated in the Mongolian and the DongFolk Songs Choir-Definition and form of tidal Dongzutaige Lindau and, on thewhole these two multi-part choral folk have an understanding. The second chapterfrom the environment, historical development, customs, language, languageaspects of the two peoples caused by the influx of Lindau geographic elaboratemusical forms with Dongzutaige different elements. The third chapter featuresthe tune from a music style, melody, rhythm, tempo, musical structure, to formand concert performances method to study and compare the tide Lindau Dongzutaigedifferent musical ontology describes the tidal forest road and artistic Dongzudagecharacteristics. Finally, the two nations on the ecological environment and fromthe attitude of reverence, briefly discusses the ecological beauty and sound tideLindau and Dongzudage beauty. The fourth chapter from the influx of Lindau andmusic features Dongzudage starting position and comparative study of its artistic value in their respective nations, changing the music function as socialtransformation occurred, and the precipitation is now to protect heritage fromhistory the method of multi-voice choir songs out. Finally, I appeal to the article’s emphasis on multi-part songs of all nationalities chorus protection andheritage, hope that more and more folk choir voices can be passed.