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Green And White Suya, Illustrated And Mao

Posted on:2015-08-05Degree:MasterType:Thesis
Country:ChinaCandidate:M XueFull Text:PDF
GTID:2175330431469445Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Freehand brushwork in traditional Chinese paintings in the peak period of the Ming andqing dynasties is the traditional Chinese painting creation, sprung up many freehand brushworkin traditional Chinese painting of flowers and birds painting, incisively and vividly famousplayers on the use of ink, implicative and uninhibited lyric was the art style, has had a profoundimpact on other traditional art forms in China.Blue and white porcelain, as the representative of China ceramics, not only has theornamental value and practical value, but also has high artistic value, especially on the blue andwhite porcelain painting figure act the role ofing, drawing skills connected with Chinesetraditional xieyi painting. With blue and white porcelain matures, the craft that make rise, moreand more techniques, subject matter and artistic style of freehand brushwork in traditionalChinese painting flowers and birds painting is widely draw lessons from the creation of porcelainpainting, make traditional xieyi painting with blue and white porcelain painting art perfectcombination, formed the unique to blue and white porcelain painting traditional paintingaesthetic artistic conception and promote the development of the blue and white porcelainpainting.white porcelain painting and at the same time enjoyable flower-and-bird paintings researchargument, and from the painting subjects, composition form, pen and ink techniques, etc, on thebasis of the comparison between the two, to clarify the Ming and qing dynasties freehandbrushwork in traditional Chinese painting of flowers and birds painting style on the developmentof blue and white porcelain painting effect not just on the external form of painting, but also, inthe aesthetic thought and aesthetic temperament and interest. At the same time, the blue andwhite porcelain painting as a unique craft in the China maintained its own unique folk, makes theblue and white porcelain painting has the literati and the integration of the secularization ofaesthetic taste. This paper make full use of the fine arts, history and so on subject researchmethods, refer to a lot of decorative pattern analysis, provides the data for the research of projectdevelopment.
Keywords/Search Tags:flower-and-bird paintings, During the Ming and qing dynasties, Blue and white porcelain painting, A style of art, The aesthetic thought
PDF Full Text Request
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