Textual Application In Contemporary Painting - Language And Picture Of Language

Contemporary art is a product in the context of globalization, and is aesthetic regression withhumanistic care. It is well-known that the greatest feature of contemporary painting lies in itsdiversity, denationalization and trans-nationalization. Diversity is not only reflected in the diversemeans of expression, but also reflected in its diverse, three-dimensional and multi-sensualinfluence and roles. Diversity further exerts its impact on people’s vision as well as hearing, touch,smell and other sensual organs. The return of the aesthetic function has become a big trend ofcontemporary art. It is the best interpretation of the eternity of aesthetic consciousness.This paper distinguishes the relationship and differences between modern and contemporaryart, and has conducted a more in-depth discussion of the aesthetic theory of contemporarypaintings in the global context. Moreover, the paper employs the application of text, words asstudy objectives, utilizes the irrelevance between text, words and pictures as introduction, andutilizes the surface irrelevance effects to stimulate the resonance between viewers and the implicitcontents behind the artistic works. The paper further utilizes language and words to destroy thescreen expression, and challenges the current status of people’s thinking and aesthetic concepts sothat the subjective perception of people interact with the objective graphic expression to achievethe harmonious unity of subjective cognition and objectivity.