The Structure Of Chinese Painting And Calligraphy And Its Function Of Evaluation

Chinese Painting and Calligraphy of the judge in the history of Chinese art has avery important meaning in the art of painting among the people judge the moral qualitystandards most unique tasting method, however, research on this tasting method staysin character as a judge on whether the issue calligraphy art standards, and forsuch a standard does not have a sound analysis and research, and for the impactof this standard model is also more directly by reference to judgment. To this end,analysis of Chinese painting and calligraphy art history’s assessment of thecharacter of the specific content object is to have a role in the study. In thispaper, the internal hierarchy of the character were to literature research-basedanalysis and studies to analyze the character tasting functional aspects of a casestudy by Shi Tao and other historical figures. In order to release the threeideological fusion of Confucianism, Taoism and Chinese cultural system context, thespecific content of the character come to judge the character inherent in theinternal structure of these three ideas contained in need, and to analyze theideological content of character by different factions tasting different structurallevels rely on three ideas, and focus on the analysis of character features andtasting mode.