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On The Creation Of "Man - Made World"

Posted on:2015-06-11Degree:MasterType:Thesis
Country:ChinaCandidate:J JinFull Text:PDF
GTID:2175330431494431Subject:Painting
Abstract/Summary:PDF Full Text Request
Firstly, my paper discusses the development of paintings of each era. From the seventeenth-century Dutch landscape painting, to the romantic landscape, realism landscape industrialbackground, impressionist, cubist painting,until "artificial word" appears, the representative ofDada, Marcel Duchamp’s paintings express mechanical landscape extremely. Giorgio de Chiricoshows metaphysical solemn form of the city, and to elaborate the Stitching of fragmentation of theimage in modern era. Thus, to indicating the objects of paintings from the "first nature" to theevolution of the "second nature", the subjects of paintings from the countryside, poetic, romantic,beautiful allegory to criticize the attitude transformation, and then come out the concept of "artificialword ", as well as the "artificial word" reflects different styles in the field of contemporary art andelaborates multidimensional content from different themes and visual way. I graduated from thecreation of the ultimate combination of "artificial world " series, talking about the mechanical era, theera of the image gives us the pros and cons, and how to examine and confront the "second nature": itis a nostalgic feeling, evoking the consciousness of poetic of civilization of pastoral farming, or as acritical attitude, to evoking ecological aesthetic philosophy. My paintings try to using a irony andcritical way to misplaced, stitching, overlapping folds the deconstruction of scenery from the creationof multi-dimensional perspective, sparking some deep analysis, reflection.Like the era of mechanical civilization and the endless pursuit of the image that losing body care andbody conscious.
Keywords/Search Tags:artificial word, nostalgia, multidimensional, critical
PDF Full Text Request
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