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Reflections On The "Modeling" Language In The Creation Of Fine Figures

Posted on:2015-07-06Degree:MasterType:Thesis
Country:ChinaCandidate:J LiuFull Text:PDF
GTID:2175330431969631Subject:Art
Abstract/Summary:PDF Full Text Request
Painting is different from other art forms, its content is represented by the picture. Painting language built from the author’s experience, get rid of the technical level to see things in a blur brush strokes, color, the most direct reflection to the viewer is the "other"."Other" can be understood as the generalized to artistic expression for the purpose, to create images of objects, it is the most basic and most important part of the formal language of painting. After the Opium War, China is facing the great impact of western social thought, this reaction in the arts and culture is also very strong. Xu Beihong, master of Western sketch modeling into the improvement China painted on the road, seems to have opened a new approach to China painting further development, but with the emergence of so many problems also confirms the improved roads China painting is not simply the study of Western painting in the excellent nutrient will be able to solve the problem. Chinese brushwork figure painting "other" can be understood from the following four aspects:first, the generalization of the fine brushwork figure painting modeling, choice; two, figure painting line other rhythm; part three, the composition also belongs to the picture "other"; four,"other" to have a certain emotional expression.
Keywords/Search Tags:Other, general, composition, emotion, rhythm
PDF Full Text Request
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