In the process of painting creation practice, personal feelings of injection to make the picture morespiritual. Therefore, the artist’s mental world and the process and results of the art of painting thereis inevitable connection. Exploratory research, this paper first explain "mood" from theperspective of psychology, and deeply from the Angle of art history, for example, analyzing theobjective existence of the "mood". Differences in the regional environment objectively affect thepainter’s "mood", has prompted painting creation timely and regionality. The author embarks fromthe practice of painting, to study the "mind" as the theme, try under different "mood" on the onehand, in a natural plants as the main subjects, transform paint stroke the rhythm of the rhythm andtone color, make the works of different visual results; The subconscious mental image, on theother hand, the performance of the documentary in blank screen, recorded by the way of imageover a period of psychological process. Try to use "mood" to create mental images. |