On "Stranger" In Bi Feiyu 's Novels

Bi Feiyu’s creation has a distinct personality traits. His works permeated with a strong compassion and philosophy of color, and always pay attention to the fate of the people. Throughout the twenty years of Bi Feiyu’s creative career, from the debut "island"(1991) to the Mao Dun Literary Award’s Winner "massage"(2008), He continued to explore the creation, the Narrative strategy and the author’s main attitude have undergone great changes. The creation becomes Matures. Careful study of the text, the works vaguely through a class of characters and a wandering spirit.1call it "stranger."Bi Feiyu’s works of different periods showing a different strangers’world. Early on, Bi Feiyu liked to suspect the historical authenticity and objectivity. The characters in the works, especially the "stranger" is more often used as a symbol speech to think about history. After the "Narrative"(1994), the works pay more attention to the Stranger’s embarrassing life of different situations. The "Qing Yi"(2000) marked shift focus to the writer’s describes was from the daily life to the inner character. In short, this is a "departure" and "return" of the living world.The "Stranger" images of the novel have some peculiar features. They are Rogues in external and internal characteristics. There are three types. The first is the person who entering the city. The second is the person who entering the countryside and the third is the person who wandering in the spirit. The "Stranger" in the novel form a variety of internal flow. For example, from the cities to the cities, from the cities to the towns or villages. In an unfamiliar environment and cultural context, the "stranger" is facing the problem of existence, identity, spiritual identity under the ideological conflicts of urban and rural issues. The novelist shows for the "stranger" and their living circumstances, spiritual situation of the "Focus","compassion" and "critical."Researching of the stranger’s novel aesthetics, it Provides a survival predicament character mode. Bi Feiyu took a different approach to treat such a "city/countryside" character space migration activities. Throughout the varied flow, complex relationships full of tension and the novelist’s imagination, the writer creates a different story narrative mode, shows the real contemporary life of the "Stranger".In order to examine the whole creation career of Bi Feiyu and Showcase his novels’s trajectory, this paper will analysis the stranger’s feature, examine its novel aesthetic significance and analysis the novelist’s unique approach. The ultimate aim to furtherly explore the relationship between the human spirit in the world of contemporary life and background with social change.