Experiential "subjective"

Based on reviewing the source idea of black-and-white woodcut, this paper aims to explainwhat the real definition of the purely spirit of black-and-white woodcut is.By theoretical analysis of objective and inner psychology with the combination of examples, thispaper states what the subjective awareness in black-and-white woodcut really is and how theexperience mode with subjective awareness can generate the purity of the spiritual. This articlediscusses the circular operation of experience, subjective awareness and the purity of thespiritual in detail by examples of artists and paintings, to clarify how the artist create apainting in contemporary black-and-white woodcut. This thesis is in the hope of, through examplesof senior artists, clearingdirection for present black-and-white woodcut and returning toessential intension of woodcut paintings.