From "underground" To "ground"

Jia Zhangke as a rising star in the sixth generation, with its unique aesthetic style into the documentary film, and won numerous awards at major international film festivals, is useful visibility and influence of a new generation of directors. Through documentary filmmaking aesthetic style of Jia Zhangke’s research can be found, he has lived in the lens at the bottom edge of the city character, objective record of their daily lives, through trivia to reveal their emotions and inner world. Work toward the fate of Jia Zhangke, also focus on the impact of social changes and environmental changes on the film characters, often with the underlying social context of the little people together to express and deepen the theme. Intense conflict in the performance of the individual and the social environment of the new era, reflecting his strong humanistic care, the ideal and the reality meant Color. Based on results of previous studies, this paper seeks to combine the latest trends, focusing on the "Hometown Trilogy ","world " and " Still Life" which analyzed five works, and in2004," the world" release as an opportunity, Jia Zhangke film from the "underground " into the " ground " outside the system and struggle with the choice within the system, stick with film-making style changes carried out a systematic, comprehensive induction and summary.This paper is divided into five chapters. The first chapter is on the significance of the topic, research methods results of previous studies, taken and of the key issues to be solved in four areas were elaborated. The second chapter is on Jia Zhangke film " Underground " period and the " ground" during the overview. Jia Zhangke as China’s " sixth generation " and a member of the growth in the era of reform and opening up economic recovery, at a relatively diverse cultural backgrounds received a systematic and comprehensive theory of education, and access to the large number of foreign films in the learning process theory, so the style of Jia Zhangke film formed at the beginning of the creation of the West is the result of joint work of film theory. Creative ideas and works of the sixth generation of content compared to the previous generations of directors have changed a lot, for Jia Zhangke Personally, he was deeply "Italian neo-realism " at the beginning of the study, the French film theorist Andre Bazin’s " long shot" theory as well as Taiwanese director Hou Hsiao-hsien’s influence eventually lay its documentary-style film aesthetic form. The third chapter is talking Jia Zhangke ’s film-making style stick, part of Jia Zhangke film-making style that is unchanging, Jia Zhangke studied documentary film-making style, aesthetics, this " documentary " is mainly manifested in the extensive use of long lens, local dialects, Paralanguage and pop music using non-professional actors starred in four aspects, combined with the films to be examples of these four areas. The fourth chapter is talking about homeopathy Jia Zhangke film-making style and change, that change as Jia Zhangke social life, life and values, specifically reflected in how the film-making is changing, as the reasons for the change of the first, second Festival is a concrete manifestation after the change. The fifth chapter is the conclusion, based on the study of the four sections, draw final conclusions of this study.This paper concludes that the evolution of Jia Zhangke film-making style is a stick and innovation process, the result is external and internal forces work jointly. Rules of survival within the system with the dual pressures of aesthetic characteristics of the domestic audience, eager for attention and national identity of Jia Zhangke actively seeking development, carry out change. Such a change does not mean he has to give up art advocates and individuals adhere to, but the times, innovation, out of a sustainable development path. This is a worthy recognition and encouragement of behavior. Due to the lack of theoretical knowledge and personal reserve capacity limitations, this paper there are many shortcomings.