On The Application Of Scene Scheduling In Long Films In Movies

With the invention of camera and the appearance of film, undeniablytechnology continues to create excitement to the development of the filmindustry. From the muddled state of the filmmaking,"One Take" was theonly shooting mode to record all kinds of possibilities, until theemergence of Montage Theory. Along with the appearance of Montagetechnique, all the filmmakers boldly attempt to put skills into practicewith growing fascination, eventually the shooting mode for recordingpurpose destined to be obsolesced. However, there isn’t only one way forfilm telling a story, some filmmakers criticized montage technique thatit completely distorted the essence of the film. For the purpose ofstorytelling, a series of short shots are edited into a sequence tocondense space and time, it changes the original spatiotemporalsegmentation. Therefore in the1950s, as Andre Bazin represented the"Mise-En-Scene” theory was elaborated,–along with the developmentcamera technology, shot-in-depth and wide shots were widely used. On thetheoretical basis of montage, re-apply to “Long Take” shooting mode,in the case of reflecting theauthenticityoftheperformersand scenes,along with Mise-En-Scene by thedirector–The actoractionschedulingandthe cameraschedulingmise, it can achieved themontagelens combinationeffect, and even beyond the significance ofmontage theory forthefilm revolution. This isalsothemainresearchdirectionofthischapter.