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The Scoof Of The Han Dynasty And The Six Dynasties

Posted on:2015-03-14Degree:MasterType:Thesis
Country:ChinaCandidate:M G ZhangFull Text:PDF
GTID:2175330434475512Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
From the perspective of art science, Han Wei and Six Dynasties chisel intrinsic motivation of printing style is the way to make it‐‐carving. At the moment the state in a hurry, appeared different with the official style of the inner relationship between interest points. The resulting error and omission also affected the structure and spatial characters, and ultimately affect the spatial pattern of the whole seal. At the same time, the aesthetic value of carving method is independent on the characteristics in stipple, paving the way for the later carving creative use of blade. The development of the Ming and Qing Dynasties genres seal is basically in the Han seal as a reference, after trying knife reproduction technique of the independent aesthetic value, Ding Jing founded the Zhe school attaches importance to the carving, the Wei and Jin Dynasties carved seal carved method development, into the cutting blade, thereby opening the school seal cutting a key step towards diversity performance. Qi Baishi further highlight the Han chisel India’s methods performance on the basis of previous, perfect come straight to the point, complex methods parallel "ancient stone method", and from the spatial pattern in Han chisel printing words, pioneered the art have an easy control in the matter, scattered naive seal art schools. Therefore, the viewpoint of history, the creation of the Wei and Jin Dynasties carved seal carved method and new space of zhe school, all have a profound impact method and spatial pattern and so on blade, Qi Baishi.
Keywords/Search Tags:chisel seal, chisel method, space, zhe schoolcutter method, Qi Baishi
PDF Full Text Request
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