A Comparative Study On The Image Construction Of "Redeemer" In Eastern And Western War

High speed production of the film industry in our memory, the screen toeverything we needed. It tells you how to think, how memories. However, in today’sfilm market of unprecedented prosperity, the survivors still face in that period ofhistory, the Chinese war disaster movie theme seems an effective way to lose self-narrative, characterization of such a phenomenon is the 《City of Life and Death》And 《The Flowers of War》.This controversial film in the country, lack ofrecognition in the West. Filmmaking is facing conflict and civil conspiracy nationalmemory and the memory of two Field.However, the opposite is the image produced on the history of Western societyare often able to obtain memory recognition around the world, this identity firstestablished in the correct historical attitudes and cultural values. By observing theEast-West war disaster movie theme among the " Redeemer " image construction, wefound something creative side in specific embodied difference, this difference causeda weak Chinese movies, regardless of the macro-or micro-narrative perspective,seems to lack self-description and self-imagine, this is a kind of culturalself-imposed exile.Historical narrative is always the imagination of the future. Indeed, the lack of asuccessful Chinese movie " Chinese way" of self-expression in the tragedy of war,but we criticize China in terms of the creation of the film, while insufficient, you cansee the future direction of Chinese films. With the concept of universal human values,personal attention to emotional narrative, seeking equilibrium mass consumer cultureof art and commerce, taking into account the national receiving psychological andhumanistic care, mining redemptive themes and folk memories get recognition andother ways you can provide a perspective and ideas for China to construct the impactof historical memory.