The Beauty Of Women In Yin Zhan Naxi 's Vision

Inzhanaxi was nineteenth Century Mongolia famous writer. As is known to all, Inzhanaxi in the creation of his novels the 《One Floor》 and 《Cry Red Pavillion》 when learning and reference to Caoxueqin 《Dream of Red Mansions》 masterpiece, but Inzhanaxi creation is not a replicay of 《Dream of Red Mansions》, but independent innovation. The Inzhannaxi who view in the beauty of women-《One Floor》,《Cry Red Pavillion》 and 《Dream of Red Mansions》 female image, based on the previous research results, through a comparative study of the 《One Floor》, 《Cry Red Pavillion》 and 《Dream of Red Mansions》 in the female image to reveal the innovative features of Yinzhannaxi unique female aesthetic and novel creation.The paper is composed of five parts:the first, the second, the third and the conclusion.. The introduction summarizes the significance of the topics, the research survey, the purpose and the method of the research.. The first chapter, through the furnace lumei and Lindaiyu, Qinmo and Xue Baochai,Shengru as Shixiangyun and corresponding image are compared to the analytical. It is pointed out that the Inzhannaxi hope to appreciate the noble lady not only sensible, loyal to feelings, more to good simple as heavy. The second chapter, through the thrush Huamei and Zijuan,Fushou and Xiren,Miaoluan and Yuanyang,corresponding comparison between the servant girl image. It is pointed out that the Yin Zhan Na Xi appreciated the servant girl should not only be faithful to his master, must less calculating. The third chapter, through to the old lady and the lady Jiamu, Jinfuren and Wangfuren,Bailaogua and Liulaolao and their corresponding roles, revealing the Inzhannaxi who your majesty of the old lady without the supremacy of the Jiamu,Jinfuren no overbearing Wangfuren.Bailaogua no Liulaolai basking the guile of ugly features. Conclusion part of the thesis, the One Floor》 and 《Cry Red Pavillion》 in spite of the reference of the corresponding to the image of 《Dream of Red Mansions》, but Inzannaxi’s novels, female image, have don’t in the female image in 《Dream of Red Mansions》, the second this uniqueness is based on the author’s aesthetic ideal, and the aesthetic ideal of traditional Mongolian.