The Change Of Artistic Style Of Chen Chun 's Flower And Bird Painting From Manchu To

Give priority to with realistic flower-and-bird paintings in China, has experienced the initial,formed a realistic after the development trend of transition to the freehand brushwork in traditional Chinese painting, according to historical records, as early as in the six dynasties has appeared in the form of independent flower-and-bird paintings, in the tang dynasty, as a flower and-bird painting independent family, ink painting in that period, laid a solid foundation for the emergence of the southern song dynasty reduced stroke later, more breeds the formation of the Ming dynasty spring flower and-bird painting. Ink painting freehand brushwork in traditional Chinese painting techniques of Chinese freehand brushwork in traditional Chinese painting of flowers and birds of the southern song dynasty Keith c. opened, pastoral creek under the influence of Keith c. get rid of the bondage of the imperial court decorative painting wind, pen is more concise, after the literati painters will be headed by yuan four Chinese literati painting to another level, to the Ming dynasty, headed by shen Chou wu door painting on the basis of learning the yuan dynasty, will ink, pen and ink interest game play to a certain height, make the flower and-bird painting more arbitrary indulgence, formed, literati ink painting freehand brushwork in traditional Chinese painting flowers and birds painting in the Ming dynasty, the political economy of the superior conditions for the development of the literati freehand brushwork created a strong foundation, the relaxation of the culture, the emergence of the citizen stratum and wang yangming the rise of the zen thoughts, make the viewer aesthetic interest changed, literature and art develop in a direction is fit, the emergence of Chen Chun formalized the spring flower and-bird painting.Chen Chun is living in the mid-ming period of suzhou, relaxed political atmosphere, the economic advantages of agriculture, handicraft industry and commerce developed, the economic prosperity, style prosperity in suzhou area is extremely beneficial to the development of art, with the emergence of citizen stratum, the rise of literary thinking, wu door painting as a local school,birth and development in this place, set Chen Chun painting, calligraphy, poetry, by its own intelligence and knowledge of wu school has made a significant contribution to the door.Him as a painter with innovation consciousness, the former tradition to absorb and reinterpretation, created a generation of new wind, in shen Chou set on the basis of the literati ink painting freehand brushwork in traditional Chinese painting flowers and birds painting,ushered in the new system of spring flowers and birds painting, his spring flower and-bird painting, from the aspects such as as, layout, ink on predecessors on the basis of a breakthrough and development, in order to show big grass, open up a new habitat became flowers. BetweenMing dynasty and early qing, Zhou Zhimian contemporary xu wei, eight, over and yangzhou eight eccentrics, maritime school are inherited in artistic techniques and aesthetic proposition Chen Chun, combined with modern qi baishi, pan is on the basis of the spring flower and-bird painting to a new situation. Qing, Fang Xun in theory the mountain retreat in art "in the Ming dynasty flower-and-bird painting, commented:" white stone weng feathers, fruits and vegetables they judged the yuan method, artistically deep, saturated composure. White touches free and natural, is to imitate of stone field, and can form its wonderful. Ivy leaves appear more saturated and into the ancient painstakingly, may have to indulge. However three, and yi yu." His flower and-bird painting has a far-reaching influence on later generations, to the study of contemporary Chinese freehand brushwork flower-and-bird paintings also has important guiding significance.Based on impact Chen Chun artistic style from angry to wild for the reason for the shift from the centerline, studied the works of each period, by contrast, case analysis and other methods, trying to find all aspects of the change of wild escape form the effects of the style.