A Study On The Artistic Performance Of Chen Hongshou 's Flower And Bird Painting

The art of Chen hongshou is various, its characters, flowers and birds, landscapes, and literature, prints, have the profound attainments. He inherit traditional song dynasty and yuan dynasty, and there is no lack of innovation spirit, to no less ink painting freehand brushwork in traditional Chinese character, in both painting and the deformation of innovation unique form of expression, became a focal point of the period of late Ming dynasty flower-and-bird paintings creation. Chen hongshou cannot bypass the painting history of late Ming dynasty, from the qing dynasty Zhou Lianggong, Mao Jiling, three hundred years of plenty on his research. In many articles, the study of its characters works accounted for a large proportion, and the study of the birds and flowers works are still insufficient.Because of his contribution in figure painting and printmaking, flower and-bird painting by its cover. Chen hongshou flower-bird painting has its unique aesthetic feeling, form variety, its modelling exaggeration and nature; Its color GuYan elegant light; Have a decorative style again, we are backed by the new artistic feeling and aesthetic experience, to attract us to pay attention to the artistic image behind the aesthetic emotion and aesthetic connotation, and Chen hongshou unique spiritual world and artistic realm. Here, the author will flower and-bird painting system to its further research and discussion.The first chapter of this article mainly discusses Chen hongshou’s life, and their "ancient", "compensated", "true" painting thoughts, it is his unique painting thoughts determine his unique artistic style. The second chapter mainly combined with its paintings on Chen hongshou flower and-bird painting style "little and miao, zhuang, god, is" the evolution of the, in the process, we can see that Chen hongshou’s painting art in each stage has its own unique characteristics, throughout the flower-and-bird paintings of the Chen hongshou early tend to elegant richly, all the way to imparting the concise, old age is to refuse to go past the stereotypes, lay particular stress on clear and elegant. The third chapter mainly analyzes the art of Chen hongshou flower and-bird painting features, including its unique composition, pen, such as fu color performance language, as well as the interest of the decorative style. The last chapter expounds Chen hongshou flower and-bird painting the profound influence to contemporary and future generations.In general, this article on the basis of predecessors’ research about Chen hongshou flower-and-bird paintings, comprehensive description on the system research, in order to can have a new understanding on the Chen hongshou flower and-bird painting art, never the same as the previous point of view, to a comprehensive study of Chen hongshou’s flower and-bird painting. Back to decode and interpret Chen hongshou flower and-bird painting art, enrich our art self-restraint, excavation is helpful for the artistic value of our era, in order to guide us today’s flower-bird painting creation.