Red And Black - One Of The Series Of Artistic Aesthetics Of Paint Painting

Starting with exploring the art aesthetic of the color of red and black, based on the modern lacquer painting language inheriting Chinese traditional lacquer art culture as research subject, based on the research of large number of documentation of the literature and unearthed artifacts pictures related with aesthetic perception and art form of the color of red and black in Chinese traditional cultural phenomenon, combining psychology, philosophy, aesthetics and other related discipline knowledge, the papers research the language of art aesthetic that the color of red and black used in modern lacquer painting, the research to the red and black in modern lacquer painting art language beauty.The papers first introduce the modern lacquer art and the art of color language, then red and black in the modem lacquer art language in the aesthetic performance were analyzed. The second part of the papers start with the primitive humans’ spontaneous aesthetic cognitive and behavioral factors and Chinese traditional philosophy of Taoist and Confucian spirit connotation of Kong Meng influencing factors on the forming of Chinese traditional color view, analyze the inner motivation that Chinese people favorite the color of red and black, explore their the intrinsic aesthetic. On this basis, according to the unearthed pottery, lacquer paintings pictures and documents, the papers analyze the reasons that the color of red and black advocated in Chinese traditional culture and art, further summarize their use of color characteristics in order to find the color in the traditional arts aesthetic charm. Finally, combining with the Chinese nation advocating traditional culture personality characteristics and modern aesthetic philosophy, focus on the analysis of the unique artistic charm of the color in the modern lacquer art language born from the traditional lacquer art.