A Study On The Little Characters In Ning Hao 's Films

Ning hao, as a new generation directors after 70, with the rise in recent years, he directed the film at the box office, is to focus on. He also became the director of the domestic hot, became the sixth generation of director. From his "family" to "great way to put", can see, he is looking for change and innovation, of every film has a similar style, as people say crazy series "crazy stone" and "crazy car", of course, there are different styles of the so-called highway, such as "no man’s land" and "the great way to put", but the director choose what kind of subjects, he regarded perspective and focus on the ordinary people or more at the bottom of the group. He in the movie the hero or supporting numerous, mostly from the bottom of the grassroots people, therefore, little guy became main ning hao the film shape object. Small people sensitized, emotional entanglements and they embody the spirit of the connotation has become the focus of the directors want to convey. In a little as the main body of the narrative process, on the character of narrative technique and story structure presents the deconstruction and postmodern performance characteristics.This paper into three chapters: the first chapter mainly analyze the growth of the director and he directed the film, a brief introduction to director ning hao’s growth path, and why is he in the film preferred to a worm on the shape of this and he is actually growing up by the grass roots has a lot to do. In an interview, he said he would like to focus on reality, focus on the joys and sorrows of the people around, like thinking about the problems of the society, thus it is not difficult to infer a worm in his heart. At the same time, through carding his works, from the vertical and horizontal directions for understanding and truly Zhi Ren Lun Shi, grasp the director shape behind the little guy to express spirit. The second chapter from the film inner narrative demand to analyze the role of small people in ning hao works, this paper expounds the small people and the relationship between the film a worm. Ning hao film for the typical small people image for the facebook type analysis, more in-depth analysis of a worm in the position in the whole works, as well as the theme in showing the characteristics of driving and sublimation. The third chapter is the focus of this article, the main analysis of ning hao film narrative characteristics of the characters, no matter how works from a single piece or to analyze, ning hao films began to form their own style, the most direct is on the characteristics of characters and narrative, in which he tradition of derrida deconstruction theory, to subvert and no center point to use more freely, in his works, little different from the traditional understanding of basic little image. At the same time he also use of contingency, black humor, absurdity of postmodern features such as performance way, through the story to highlight and strengthen the character’s personality characteristics, make the characters more rich 3 d.