This paper mainly clarify the development of micro film and its research directionthrough the observation of numerous network platform micro films(not the marketingkinds), as well as the existing micro film studies. Due to the micro film "three small"concepts that accredited by the most people, can not exactly covers this emerging thing,this paper attempts to carry a new definition on the micro film. In addition, thedeconstruction of the analysis of the micro film production mechanism is the key pointof this paper. As one of the important theory of post-modernism, deconstruction usestrategies just as anti-logocentrism, differance, intertextuality and others to resolve ofmetaphysics, we can also find the postmodern features from the form and content ofmicro film: the decentralization of micro films, the alienation to traditional film andtelevision creation deduction limits, parodies subversive outside of intertextuality. Theabove three chapters analyze micro films under deconstruction through three parts stepby step: The resolution of traditional film and television dominated discourse, theresolution of traditional film and television creation boundary and the dispelling of theclassic image. The main purpose of this paper is to understand development about microfilm in a phase within the creation characteristics and tendencies. |