A Study On The Practice Of Singing In The Overs Of The "Orphan" In The Opera

Aria under more and more fierce,"the rain" is a classic of China’s national operazhao the orphan "tenor aria, works not only pushed the protagonist Zhao Wupsychological conflict to the culmination of the global, will also be music drama to aclimax, become a important performance part of the whole opera. This paper mainlyfocuses on the historical background of the work as well as the characteristics ofontology, singing characteristics elements were analyzed, and related to theperformance of the national style characteristics, including style, psychological,rhyme and aesthetic idea is fully revealed. And sing the song need necessarypreparation works, and works for a concrete analysis of the text and the performanceof the emotional need, dramatic connotation to release such as the music ontology,plays the focus of research. Innovation point of this paper is mainly manifested in thearia of the rain, the more the more fierce music ontology of character features andsinging practice, through to the national opera style, aesthetic, psychological, culturaland other characteristics of the aerial perspective, combined with aria of the rain andthe style and emotional grasp, to show the work of the protagonist Zhao Wu aria ofthe rain and the strong dramatic and characteristics. This paper studies haven’t seendirectly before this research, and specific content in the research of design, analysisand so on in a certain sense also innovative and initiative.