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Research On The External Action Design Of Drama

Posted on:2016-12-19Degree:MasterType:Thesis
Country:ChinaCandidate:T WangFull Text:PDF
GTID:2175330467491706Subject:Drama practice
Abstract/Summary:PDF Full Text Request
The performers in the creative process, the Christian doctrine of the"Trinity" term is often used to express the creation of important performancecharacteristics. Actor on stage both creators to create materials and tools, andthe ultimate result of the creation, performance is to the true feelings of thecharacters’ inner foundation, through the actors themselves, external action andlanguage to reveal the true spiritual life of people in order to achieve shapingthe character purposes.Actor must be able to create characters to experience real life and thecharacters’ inner thoughts and feelings, truly "love moving to co-operate and shapeon the outside." External action is usually compared to the proposed internalexperience, internal experience is different from the visual dimension of externalactions, internal experience is the invisible undercurrent, external action isvisible waves, internal experience of leading external action, external action inturn stimulate domestic experience.In the process of shaping the character, accurate, organic external actionfigures are often able to directly reveal the character’s inner truth, so that realaction actor runs through the whole story, the blood flow to the character and dramacreation. Performing creative way not static, its creative purpose is to createa vivid characters, the creation of today’s performances in general internal toexternal and external to internal towards the same kind of creative mode. Externalto internal generally refers to is to find people able to reveal the true feelingsof the external manifestations, in order to stimulate internal emotions andfeelings, and ultimately achieve external and internal unity.This paper is divided into four chapters, each chapter the main contents are:The first chapter creation from the perspective of the role of the actor,performing elaborate definition of the relationship between external action andinternal experience and "sad comedy" story outline. The second chapter of the general process of designing the external action, including the external actionconstitutes material, external action general characteristics, factors externalaction Design. Chapter III external action designed to explore new ways in the "sadcomedy" action figures design use, are: extreme thinking creative hair sculpturemethod, physical substitution,"third eye" Creation Act. The fourth chapteranalyzes the external action design should pay attention to.
Keywords/Search Tags:internal experience and external action design, the provisions ofsituation, the lines
PDF Full Text Request
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