A Study On The Development Of The Present Performance Of The Peking Opera

The Chinese nation of beautiful and colorful drama art has a long history,extensive and profound. Peking Opera music is a representative of the Chinese operamusic, noble temperament of the gentleman and Confucianism, beautiful and elegantstyle, unique Chinese spirit, is famous in the world. Beijing Opera music in onethousand, not only in the process of the development of strict procedures and rules,and wide gain, to absorb a large number of new tones, Peking Opera guest cavityformation, to facilitate the main cavity, the cavity has triumphed, between exteriordesign, shape, vivid, lifelike characters, rendering the beautiful spectacular,picturesque drama situation. Beijing Opera guest chamber to extend the Peking Operamusic performance range and push forward development of Peking Opera musicplays an important role.This thesis highlights the Peking Opera cavity between subject and object ofresearch, using music morphology, comparative study method of musicology, for thefirst time Beijing Opera music guest chamber to study the development of the maincavity expressiveness.For Peking Opera master cavity and the feature of Beijing Opera guestchamber music analysis and comparison. The comparison of music to learn researchmethods, respectively from the rhythm the beat, modal tonality, turning method,melody structure of Peking Opera and13main cavity cavity cavity on the musiccharacteristics of the comparative analysis between the similarities and differences.Second, the drama four spoke (in opera) PiHuangQiang used in Beijing Opera. Forexample is given to illustrate the four spoke of PiHuangQiang, which, melodies forkunqu opera, bangzi Gao Qiang, LiuZi cavity used in Beijing Opera PiHuangQiang.Three, NaBangZi, Gao Bozi, four level in Peking Opera PiHuangQiang rule and theapplication development of PiHuangQiang expressiveness. Main NaBangZi, GaoBozi, four level commonly used in modern Chinese Peking Opera audiences.masks,plate, performance characteristics and the application in the modern Chinesetraditional music-drama, laws; For PiHuangQiang expression is the key of the paper,the development of choose play my example, combined with the feature of music,music morphology research method is used to my detailed analysis, and my melody tomake in-depth comparison, with the main chamber to host to absorb, reference,contrast change characteristics such as comprehensive, in-depth exploration. Four, thehan nationality folk music, and other tones in the Peking Opera PiHuangQiang ruleand the application development of PiHuangQiang expressiveness. Main ChuiQiang,south gong, dolls, complex cavity minor common plate, performance characteristics,the development of PiHuangQiang expression is the key of the paper. Five, the PekingOpera guest cavity era significance of Peking Opera master cavity innovation anddevelopment. From the era of features and characteristics of the rules of thedevelopment of the art of Peking Opera guest. Analysis and discussion of thedevelopment of innovation in the cavity. This thesis mainly through the Peking Opera compared with Beijing Operaguest chamber music characteristics of main chamber and cavity on the developmentof the main cavity expressiveness. Is Beijing Opera Peking Opera guest chambermusic development of the road of innovation, after hundreds of years, in thecontinuous development, carrying the nation and elegant demeanor, reflecting thebroad Peking Opera art all rivers run into sea mind and performance characteristics ofvariety, is integrated with music and human feeling feast.