The Application Of "Subtext" In Dance Creation

The "hidden lines" comes from the drama language, and it is the meaning that the lines actually contain and have no meaning. "Subtext" widely appear in more than one of the performing arts, such as drama, musical, drama, mime. Dance is the physical performances of the art, dance in the lines is body movements, and dance in the subtext is through physical performances, to convey the potential significance of performing behind the deeper, the so-called "overtones." This potential significance, can highlight the content of the work, let the audience produce rich imagination, make the dance works give a deep impression.The focus of this paper is the application of the "hidden lines" in the dance creation.. Through the creation of practice, as well as the outstanding dance works of domestic and foreign as an example, the paper analysis the "unspoken lines" in the dance presentation and classification. The first chapter from the generalized "the unspoken lines", and strive to explore the "hidden lines" in the dance. So as to expand the "unspoken lines" how to make the dance works more artistic appeal. The second chapter continues to deeply, mainly around the dance moves, stage scheduling, dance props to explore three aspects, the "unspoken lines" in the dance creation of the use of methods. In the third chapter, the author in the creative practice of dance works, for example, summed up some of the insights, trying to position in the dance choreographer clear subtext to the creation of better use of subtext "and dance creators to find more creative ways.