On The Repetition Of "cry" And "wandering"

Theme such as the title of this paper shows, that describes "" Scream"" Wandering "repetitive phenomenon", the starting points are two, oneis through the text reading, exploring the "repeat" as Lu Xun’s novelartistic techniques, their specific use and artistic effects; anotherstarting point is based on the literary history of the field of vision,by the "Repeat" phenomenon, stopping to explore Lu Xun old age novels,and instead focus essays underlying causes, and initial exploration ofthis novel-essay style conversion, the relationship with20th CenturyChinese Literature mainstream turnover.At present, the academic study of Lu Xun has reached a considerablelevel, in order to avoid the discussion of this paper flow in broad, sothis section is provided in the introduction of three points as a basisfor argument, namely writer Lu Xun and literature, synchronic text contentand meaning, and open text and Lu Xun research.The basic argument of the above three points, essentially determinethe properties of the research object of this paper, and it can starton the body part in the "object" of convenience, it is preferable toachieve a linear type of driving style research ideas. In this line ofthought, the paper can effectively avoid excessive side to start in orderto realize the fact that the text-the value of argumentation-logicalprocess of meaning derived.According to this logic sequence text is divided into four parts. Thefirst chapter by text reading and mathematical statistics, demonstrationFictions duplicate images."The Scream,""Wandering" repetitive imageryhas two types, one is the social and cultural imagery, metaphor is a symbolof a kind images. It concludes that there are two, one of Lu Xun this is not the image of the things that gives some kind of poetic, and then findand create a lot of images, these images are unique and for the generationsto follow him; the other is heavily reused Lu Xun imagery, formed hisnovels integrity and some closed.The second chapter with the new method of criticism, Lu Xun’s novelplot unfolds specific analysis and aesthetic judgment. In this chapter,the author focuses on the analysis of the two types of repeat episodes,that is, as the details of the covert repetition plot, plot shared withthe multi-mode text. Through demonstration, I found that many of thedetails of the plot as a covert duplicate, with a very effective narrativefunction, shows subtle Lu Xun’s novel technology and beauty. The textshared by exploring multi-plot model, I found the plot of Lu Xun’s novelin a certain similarity, and even some of the inherent laws.The third chapter is the focus of this article is the difficulty ofthe argument. Because on the subject of science fiction Lu Xun this problemhas accumulated too many researchers and research, innovation is moredifficult. Thus, in a dialectical draw on the basis of previous research,the author uses to read and impact studies comparing methods, bydemonstrating "Scream""Wandering" and "companion" This phenomenon, and"Diary of a Madman," Morphology and Enlightenment Motif relationship toexplore the theme of Lu Xun’s novel duplication. In this chapter I drawtwo arguments: Fictions there are at least eight articles as "companion";"Diary of a Madman" Because of the unique nature of its morphology, canbe seen as Lu Xun’s novel Enlightenment motif originated in Lu Xun’s novelin some kind of "programmatic" status.The fourth chapter of a set of more than three chapters explores theimagery repeat, repeat the plot, themes overlap in meaning and Lu Xunresearch. By contrast,"The Scream""Wandering" and "Stories", essays,and combined with some historical data, as well as efforts to return to a certain spot in the history of literature, I think Fictions repeatphenomenon does exist. Moreover, part of the "repeat" Lu Xun intentionalartistic skills, which makes clear Xun deep subtle art of the novel.Another part of the "repeat" phenomenon, in some degree, to prove somekind of dilemma Of Story has, namely, self-closure integrityrepeatability and text. And for many scholars argued Lu later years called"essay" conscious, it is this dilemma novels solution.Epilogue, along Way to Chapter IV, the initial expression of theimagination of the author’s literary history macro that Lu Xun style essaycomes from small shift, from delicate to directly exposed deep Cuhao, ifthe left-wing literature and Fourth Literature the steering has arelationship "isomorphic" in. Because this is another issue, but also acomplex argument, therefore, at the conclusion of the author onlysuperficial mention, as "Thoughts" exists.