A Study On The Dual Character Of Schumann 's Piano

Robert Schumann (1810-1856Robert Schumann),19th century Germanromantic music is the most representative figure of Schumann is a famous pianist,composer and music critic.Schumann’s creation from most of the literature, poetry andlove of Clara, he is often, with romance and fantasy style of literary works attracted,piano cycles of the genre as Clarks thinking expression vector, the creation of theeight sets with extraordinary artistic value standard of the divertimento. The Fantasiaset ", creation in1837, became the representative piano Divertimento, has theromantic lyricism, dramatic and fantasy. This will be the "Fantasia collection" as theresearch object, to explore the piano divertimento genrein the presence of dualcharacteristic.In the first chapter, in section three, first section of Schumann’s overview,mainly from three parts, Schumann’s life, Schumann’s piano creation, Schumann hisartistic style. Hiscreation features into five features: Divertimento, title andliterariness, metaphor, lyricismand duality. From these five aspects, Schuhmann’spiano creation classification. The second section is the "Fantasia" creationbackground, has a close relationship with thewriter Hoffman. The third section is thefocus of this chapter, is closely linked to the theme of dual personality, theintroduction is the cause and influence of the dual character of the, influence andcontains the influence of creation and the influence of music criticism.The second chapter, of Schumann’s song cycle "Fantasia" eight pieces weremusic ontology analysis, to each of the first songs for the title, from the musical formstructure, tonality, theme, harmony, texture and the ten elements of music to detailedanalysis of each piece, which is the focus of this paper.Chapter three is of "Fantasia" performance analysis, this divertimentoperformance are summarized and points to singing legato playing and polyphonywoven play and play complex rhythm, from the three aspects of playing for the"Fantasia" do a detailed analysis.In a word, this first song cycle is Schumann is the most representative pianoDivertimento, through the analysis of "fantasy" music ontology, in playing practicemore detailed, accurate grasp of the characteristics of the Divertimento, experience ofSchumann’s dual personality.