On The Stone Paintings

Shi Tao plays a decisive role in the history of Chinese painting,He is one of the mostinfluential and innovative artist. He get experience from nature, break the rules, No past, no now,he use his own way,and he has the courage to innovate, blow a strong wind for The field ofpainting，make everyone feel new and fresh.Shi Tao had made great contribution to the genre offigure painting after“the Figure Painting Revitalization”and before the appearance of otherpainters’figure paintings，e. g. Wang ShiShen，Huang Shen， Jin Nong，Gao Xiang，Luo Pin,etc．Shi Tao’s own genius as well as his learning from the ancestors’experiences had enabled himto express his feelings through his works and act as an outstanding figure who contributed a lotfor the creation of figure paintings in the late Ming and early Qing dynas-ty and has a very highacademic value.Shi Tao’s figure painting embodies the spirit of innovation，Shi Tao’s figure painting comesfrom traditional，and is different from Predecessors，The Content of Shi Tao’s figure painting isRich and varied，The theme is wide，including the fairy and ordinary people，Shi Tao Can handlethem well. Shi Tao’s figure painting including《The painting of Sixteen Arhat》《The painting ofPlanting Pine》etc．Shi Tao’s style changes with the change of life、 thought、emotion， Mixesthe ancient and modern and be for himself. Shi Tao becomes a Buddhist monk When he wasyoung, mixed with Zen, had no fixed abode, studied Zen in song jiang, opened his personalitygate, and reserved in the early Qing Dynasty painting become an independent school ofthe capital in the process of being close to naturein. Middle-aged period went to NanJing Zen,travel to BeiJing for three years，his painting was ripe.In his later years after went back toYangzhou,then to the Tao professional painters emerge in Yangzhou painting, painting skills tendto perfection in one’s studies. The thought has greatly changed and developed by middle age,feeling and bold and unrestrained clear turn for good to go deep, seek new spiritual sustenance.This paper through the previous research in Shi Tao ’s insignificance cable leads to figurepainting traces, carried on the analysis of it. The first chapter of his analysis of the causesof figure painting art characteristics, Divided into two sections, We first describe the originof Shi Tao ’s Art Style, Based on a large amount of literature, To tease out the factors influencingShi Tao ’s Art Style. His shape followed by an overview of figure painting art style, From the start of each period of life, his thought, emotion, analysis of the process of Shi Tao ’s figurepainting art style forming, Pavethe way for the exploration of the content and formof figure painting art charactistics in the next chapter of his, The second chapter is combine ShiTao’s figure painting， analysis of the content and form of figure painting famous artisticcharacteristics, This part is the focus and difficulty of this paper. This section is intended tointerpret paintingsby Shi Tao’s,,Dotting the style of figure paintingLandscape and figureintegration scroll figure painting works，The present painting form and content characters in ShiTao’s artistic features to everyone.The third chapter of his figure painting through thediscussion of current influence and the enlightenment of figure painting development,find a newbreakthrough point for the development of China figure painting,expand the new channels.