The Multiple Circumstances Of Identity - A Study On The Concept Of Dance Creation In

Identity is the individual’s position or status in society. And finally established under the co-construction’s provisions and the main objective. Wanma tip measures embody the multiple identities’ care-from Amdo Tibetan national sense of ethnic identity on throughout the next role identity through the "student", "dancer", "choreographer", "Dance operators "and so on.This paper attempts to "identity" concept introduced to the artist’s creative research by analyzing, from Wanma works can be seen reflected in the process of such an "external" ecological environment and "Subject" dynamic selection of dynamic change. Ma Wan thus showing a body, " objective’s expectation" and "principal active choice" between the game, this game is more for him as "director" in particular "dance choreographer" expression. Various gaze, forces the right to speak on Wannia stimuli in the external environment as well as his own awakening and rebellion make his works reflect the split/integration, structural/ deconstruction diversified and personalized features. Thus, in many roles identity, this paper will mainly discuss as a "director" of the works of national identity and the identity of situation awareness penetration. Both use art, showing the shape of the body works linguistic analysis, and the use of anthropological theories of sociology and even economics to grasp the whole process Wanma creation. Actually looking through the square to see the creation of Mary tip measures the current era, the art of dance that set discourse artists exactly what he was outside interference by main force, and many kinds of body to communicate, interact and dialogue. And dialogue in the game with a variety of forces among the creators of the initiative to reflect, and he in this dynamic process by showing diverse artistic styles and personalized creative abstract concepts.I deeply into Wanma dance company, mainly at live survey, participant observation and in-depth interviews, the most comprehensive engagement core creative dance, performances and other parts. While the image data Wanma creative dance, literature, including Wanma tip measures from the beginning of the student works of different periods, videos, trailers, personal interviews, media reports and his own respected film and works, etc. Extensive collection of dance Ma Wan systematic study of the creative process unfold. First, the concept of identity to explain and make a concise definition according to the square of his identity, and then in the second chapter based on change Wanma creation focuses on the different stages of his creation, the work presented and creative background combine to analyze the situation of his identity,summed up the characteristics of each period of creation. Then comb through vertical and horizontal excavation depth analysis of their creative ideas a physical.Conversion between multiple identities, we see Wanma in confrontation with the mainstream discourse of rights among the lost and wistful, generated out of the game when the market crash of courage and wisdom, as well as in the long precipitate accumulation and accumulation wisdom and calm. "Freedom", "casual", "free", "humor", as if a very strong consciousness, great personality choreographer image creation. Let us reflect on this character generation, this appeal to a culture tolerant attitude, respect for the individual, to the creators of a good creative environment. In addition, from the creators of their own personality is more need to promote, looking for pluralistic understanding of the art of dance, calling diverse creative ideas. This article seeks to comprehensive care throughout his artistic history, brings more thought to our dance art.