The Embodiment Of Ethnic Cultural Identity And Its Stage Evolution In Bouyei Dance Choreography

In the creation of ethnic dance,ethnic cultural identity plays a decisive role in the composition of dance language,the creation of dance image,the selection of dance theme,and the creation of music,props,costumes and other elements in dance works.These elements of dance creation are the key to the final form of a dance work presented on the stage,and the principle of whether a dance work can be recognized by members of its own nation and other ethnic groups.The reason for the differences of these creative elements in different ethnic dances is determined by the aesthetic and traditional customs of ethnic members,and these differences are the key to distinguish each ethnic culture from other ethnic cultures.Therefore,the final presentation form of dance works is the choice of ethnic cultural identity to the various elements in dance creation,and the final choice result is dance works The content and form of ethnic dance are bathed in the ethnic culture,forming the best state of ethnic dance works.In the current social context of dance,the quality and quantity of Buyi dance works have not reached the ideal state.Although the existing stage works interpret the cultural characteristics of Buyi and show the dance characteristics of Buyi to a certain extent,the form and theme of the works are relatively single,and the style and characteristics are not prominent.How to solve these problems needs the attention of the people Ethnic dance creators fully understand the relationship between ethnic culture,ethnic cultural identity and dance creation when creating Buyi dance works.They mostly start from all aspects of Buyi,find the themes and creative materials that may be refined into Buyi dance works,and use ethnic cultural identity to select the elements in dance creation.The article is divided into three parts,the first part:first elaborated the concept of ethnic cultural identity,and in this paper,the elements of ethnic cultural identity are summarized as natural identity and Aesthetic identity.Secondly,it analyzes part of Buyi stage works,and demonstrates the analysis of the selection of themes,the construction of action language,the use of costumes and props,and the understanding of music in Buyi stage works under the natural identity and Aesthetic identity.Finally,it is concluded that most of the directors choose the Buyi theme from the production and living labor,construct the action language from the aesthetic of water form and characteristics and the imitation and refinement of life motivation,explain the application of clothing utensils from the Buyi "gray blue" clothing and "bamboo" culture,and analyze the Buyi folk song "haohuahong" and other distinctive music The use of folk music in ethnic dance.It summarizes the importance of ethnic cultural identity for dance creation.The second part:Taking the Buyi dance "Huaixi" as an example,after analyzing the conception,theme and structure of the work,it explains that the writer has created the characters of Buyi women in different periods from the aspects of posture,personality differences and movement texture,and extracted the action elements from the life motivation of "bandaging the headband" and found the Buyi The introverted ethnic temperament in the gray and blue costumes creates dance vocabulary,arranges a lot of arc,fan,S-shape and other curves from the soft aesthetic of Buyi,and develops the use of ethnic props from the wrapping,throwing and throwing of headscarf;and reflects the shortcomings of individual creation to the problem of Buyi dance creation.The third part:This paper puts forward four tentative plans for the future evolution of Buyi stage works.Firstly,it puts forward that we should innovate and develop the elements of ethnic culture,and dig out more elements of ethnic culture combined with modern aesthetics.Secondly,we need to enrich its movement vocabulary,which can deconstruct and reconstruct the existing movement,and can be used for reference In order to find the motivation of life and work,we can extract the action motivation from the undeveloped ethnic props,ethnic totems and other unique ethnic elements,and also construct the action in the ethnic temperament.Thirdly,we can find different ways to use props,not sticking to the original use of the ethnic group,and pay attention to the "ideograph" function of props.Finally,we should start from multiple integration in the modern society,we can find the subject matter of what is happening in Buyi people's current society.