A Study On The Manchu Of Chinese Contemporary Painting

Composition as a part of the Chinese painting art, occupies an important position in Chinese painting art. To a certain extent, the composition is deciding the success or failure of a painting. Due to the change of social cultural environment, people’s aesthetic concept change and the influence of foreign culture, composition features of different periods of Chinese painting is different. Open today’s album, full composition has become one of the main characteristics of modern and contemporary Chinese painting composition. It on the creation and development of modern and contemporary Chinese painting is of great significance, is worthy of our in-depth study and explore.From the point of the situation, in the academia of study and research of full composition but also the basic phenomenon description stage, the lack of in-depth and systematic study.Therefore, this paper illustrates, image research, comparison research method for modern and contemporary Chinese painting in the detailed analysis of the full composition. This article mainly divides into five parts.The first part is the introduction, first of all, according to the theory of ancient art and modern painter and theorist of the discussion of full composition has carried on the definition of the full composition, the so-called full composition is:give leave a day of the concept of real estate, close observation object, and the object in the limited screen make full processing, no or little white space has strong decorative picture composition style, modernity and visual impact. Secondly, according to the modern about full composition, and the research status of the full composition made a summary, and explains the purpose and meaning of research on this article, finally illustrates the research idea and method of full composition.The second part, mainly through the picture album, painting and the art history of ancient paintings that exist in the full composition made a comb and summarizes the characteristics of ancient painting in the full composition, mainly including realistic, seiko meticulous cater to the royal aristocrats aesthetic, strong decorative these three aspects.The third part and the fourth part for the key chapter of this article, including the third part mainly studies the full composition in a history of modern and contemporary painting and modern painting in the full composition compared with ancient painting composition full of new features:complanation, abstraction, composition, the interception.The fourth part mainly from the full composition characteristics, ancient and modern painting function changes and people’s aesthetic conception in these three aspects elaborated the full composition in modern and contemporary painting.The last part is based on the research of the full composition analysis, and thus some thinking and understanding.Although, full composition at present is still in the developing and the academia about its conclusive judgment also is less, but, now full composition in Chinese painting has caused the wide attention of many people in the beginning, it appears to our subversive influence produced by painting creation, it is worth our research thinking.