On The Fusion Of Chinese And Western Ideas Of Wang Zwu 's Flower - And - Bird Paintings

Zi-wu wang, is an important painter painting in shaanxi province in the early years of the 20th century, after moving to shenzhen in 1985, become the shenzhen famous painter, is in charge of shenzhen art academies.In the short several dozens years, created many popular works, left a rich experience in painting.This paper is the art career and his life’s attitude towards zi-wu wang are introduced, the key in his xian decades of time to study, after this period of time learning about his style of painting is a certain impact. Behind the author also introduces the zi-wu wang attitude, that do not pursue fame and wealth, he is humble attitude, that nothing is more important than painting, spent his life to study and explore the spirit of painting is very valuable. Then introduces the geneses zi-wu wang flower-bird painting style and painting, zi-wu wang early middle age of flowers and birds painting, the picture gives a person a kind of smart and lively beauty, In 60 years later, the feeling of precipitation and life makes him the picture show the composed, thick, empty spirit, ancient temperament. His painting of flowers and majestic atmosphere, both realistic and freehand brushwork in traditional Chinese painting, both plot and lyrical, follow the traditional Chinese painting specification, and ingenuity, own a fusion of leisure. His painting style is inherited the problem in the first place, he successively by xu beihong, Shi Lu, xue-tao wang, the influence of qi baishi, In xi’an and his early life, affected by the changan painting, attaches great importance to the sketch, the fodders from life comes from life. Under the background of that time, he images present age characteristic, is committed to explore the integration of Chinese and western road.In this paper, the main part is the study of zi-wu wang flower and bird painting to reflect the success of the fusion of Chinese and western factors in his paintings. Zi-wu wang’s works is in the specific historical conditions, the painter constantly attempt and explore the modern Chinese painting in the face of the impact of western art, we should be how to deal with. About zi-wu wang himself from the absorption of western art and the traditional inheritance and reshape to analyze. The absorption of western art, mainly absorbs the realism painting emphasis on modelling, and early during the period of school for learning sketch,add these ideas to his traditional Chinese painting works, enrich himself, At the same time he also borrowed some of western painting composition, such as feature type, center type and so on, these are mostly borrowed from western painting composition form, He will these with actual condition, the concept of black and white, Chinese painting, creating his own painting styles. For the traditional ways, he with a critical eye to look at, absorb the essence in traditional painting, he insisted on the traditional Chinese painting for the pursuit of image modelling, attention to the emotional expression, and Chinese culture spirit, and calligraphy pen brush strokes. His works do not break the traditional Chinese painting, grow in the soil of Chinese painting.Through the research of the fusion of Chinese and western in zi-wu wang flower and-bird painting had a great influence on me, I want to put forward is two kinds of culture and arts of Chinese and western different, when we absorb the western painting factors, to take its essence, conducted on the basis of absorbing and using for reference in this culture, through the fusion of the two art forms to achieve the ideal pursuit of the perfect art.