| Franz Seraphicus Peter Schubert,1797-1828) was a period of classicism and romanticism period between one of the most important composers, he in other areas also created a lot of good films, such as symphony and opera, quartet aspects and so on, in addition, piano sonata in his entire creation process occupies very important position. His piano sonata creation period starts from the first 1815 at the end of 1828, after 13 years, a total of 21 films, late created 3 sonatas, the first sonata "sonata in c minor D958 is the focus of this study. From he created so many sonata, we found that Schubert piano sonata style is unique, individual character is very bright, his vocal music works with characteristics of art song piano accompaniment is changed into the piano music, which makes his sonata more embody the distinctive characteristics. "Sonata in c minor D958 period is late Schubert piano music in the first of three large work, but also he size of the company, one of the most mature works, has the very high research value of art. From this we can see in the first work of Schubert created for Beethoven inherited and imitate, also can see Schubert innovation consciousness, the sonata follow the classical sonata form structure, is made up of the four movements of the neat.This article will work D958, for example, the first chapter through introducing from Schubert’s life to get to know his whole music learning and creation course, understand his sonata stage background, to help us better understand the Schubert in composing the song "sonata in c minor at the time of the social factors and individual mental state, the second chapter mainly from the text analysis of music, to analyze every movement of the formal structure and harmony relationship, this is in the framework of understanding sonata, will make us better to play the music of different levels. The third chapter is the main research part of the article is the analysis of characteristics of the creation of the sonatas. From four aspects to analyze this sonata, respectively is a hero, a symphony, drama, such as song. The fourth chapter is the research emphasis of this article, the same analysis for playing style, from the melody, strength, speed, works to illustrate his playing style. Chapter 5 for STH not party Schubert sonatas deductive analysis, here lists two pie, set for them joy and France, compared the cloth rendell and hurt in the play version comparison, comparing the two as a representative, the pleasure of not playing Schubert sonatas is should pay more attention to the structure of the hierarchy, or subtle variations in tone color, is the speed of the subtle change, or should be dealt with strict rational music, these are worth our research. In what I find information about different audio version of the song analysis has a lot of, but the rise to performers on behalf of the joy of creation characteristic is less. This article will try to send the two kinds of music, draw some performance style characteristics, hope can offer more professional reference for the players.Now a lot we can often heard in a concert pianist play this piece of work, that means the world began to agree with his piano sonata. But in some materials at home and abroad about the analysis of Schubert piano sonata is very few, are mostly is the study of vocal music of his works. The author through the analysis of the play of this piece of work, try to find at the beginning of the composers in this sonata the most real ideas, about whether understand the composer’s creation has its own principles, how he was in pain stubborn insist on writing, Schubert imitations of Beethoven how many ingredients in, how many are Schubert music creation characteristics of its own. Hope to help the players. |
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