A Comparative Study Of Huang Binhong 's Landscape Paintings And Impressionist Landscape Paintings

Impressionism was born in nineteenth Century in the second half of the French impressionist, appear both in concept, or in the form of the people at that time had a strong impact, not only changed the way people Impressionist aesthetic feeling of the western traditional painting, is a new way to make the western painting into a subjective impression as the world. In addition, the Impressionist paintings and the western traditional painting compare, the difference lies in the form of painting language, the language of painting impressionist painter changes before exploration.In the development of Chinese modern landscape painting, Huang Binhong not only inherited the traditional painting pen and ink techniques, is based on continuous innovation, Huang Binhong will be the mind and objective visual impression of the combination, expansion of landscape painting style in creation. The use of color, ink color to replace Huang Binhong, continue to tap the pen and ink performance, makes the Chinese ink landscape of the expressive force of further development. At the same time in his landscape painting, he deliberately weakened the contour of object, the visual sense of the overall has been strengthened, so the picture of his landscape painting showing a rich and vigorous style of Wordsworth’s face.This paper mainly focuses on Huang Binhong landscape paintings and impressionist landscapes were compared in this study, by analysis of both aesthetic and creative techniques, artistic features, Huang Binhong landscape paintings and impressionist landscapes differences under the different cultural background.Discussion and analysis at the same time and looks forward to the prospect the development trend of Western painting, continue to find their similarities and differences between the regularity of, this also is helpful for us to understand western painting their respective characteristics and in the process should also adhere to the concept of "harmony without uniformity", further the implementation of the theory to practice.