The Expression Of Architectural Theme In Painting

Building in human history can be traced back to 7,000 years ago, except it has the practicality of building functions, has also been given aesthetic, artistic ornamental features. The building itself is for the formation and development of civilization and social patterns reflect a direct or influence. Based on the construction of the meaning of the practicality of security, belonging and aesthetic appreciation brought about by the inherent beauty, magnificent, magnificent feeling, more artists to bring inspiration. Artists’ creative way of thinking, an increasingly biased in favor of subjective, rational, stressed that his writing style language. Sense of art as a form of feeling the artist picture exists, then this feeling by what caused it? On the screen in the form of the support frame is made of wire to decide, from the microscopic, is to constitute the entire screen lines relations, mutual relations and various colors from physical structure consisting of both itself and the relationship between them relationship. It is these two factors supporting role in the original picture on the screen constitutes a form of sense. 1. The spatial relationships; that shadow relationship, the relationship between light and shade, perspective relations, the relationship between these three major factors that shape the beginning of the transformation of the two-dimensional direction, to make the picture more prominent plane of the picture, that more emphasis in the form of a sense of the picture; 2. The dimensions of the relationship; the relationship between the conversion of this is the inevitable result of a three-dimensional space to a two-dimensional space conversion, 3D to 2D conversion of the four relationships described above completely abandon the subjective, is an ultra-refined generalization inevitable dictates. 3. The relationship between subjective and objective; objectivity of things describe characterization, began to comply with the artist’s subjective thinking of the artist’s subjectivity began to play a major role in the picture, just a reference to the objective of building artists.