On The Tragic Power In Human Sculpture

Liu Haisu’s evaluation is that Rodin is third peaks in the history of the Western sculptures in the "rodin l’art", Rodin’s greatness lies for the opening of the door of modern sculpture. The human body is the main way of expression of Rodin’s sculpture, Rodin made a great sculpture of human body at the same time also set up a model of the art of sculpture in the future. Human body sculpture has been the basic course of the study of sculpture in modern college. In diverse forms of contemporary art today, the human body sculpture art aesthetic rarely seems to be mentioned, for Rodin sculpture of the human body art aesthetic’s research can helps to the theory of the categories deeply researching. Tragedy is always the greatest art form in the west, while the sense of tragedy is a separate research as a kind of artistic experience. Nietzsche’s the birth of tragedy in with "Apollonian and Dionysian" binary artistic impulse to explain the tragic essence of the major aesthetic subject. Nitzsch believes that the tragic beauty of art is actually the Dionysian impulse is satisfied. The form of aesthetic and spiritual temperament of Rodin’s body sculpture show full of "God will". From the point of view of the viewer’s point of view, citing that the tragedy to produce a sense of reason in Schiller’s "letters on the aesthetic education of man " as a yardstick, the reason of Rodin sculpture of the human body art aesthetic process complete agreement this tragedy to produce a sense of discovery. This article aims that there is strength demonstrated in Rodin’s sculpture. And the power of tragedy permeated in all aspects of the social and cultural life, Rodin’s tragic style of sculpture in the form of language in the community will have a strong resonance, it is a symbol of human spirit.