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A Study On The Contrastive Principle In The Creation Of "Spring River Moonlight" (Pipa And Orchestra)

Posted on:2017-05-31Degree:MasterType:Thesis
Country:ChinaCandidate:Z ZhangFull Text:PDF
GTID:2175330482984715Subject:Composer
Abstract/Summary:PDF Full Text Request
"Moonlit Night" is a familiar, well-known traditional Chinese music, has also been adapted for the various versions, such as the zither, piano, and other forms of folk music ensemble. "Moonlit Night" as a keyboard 8,9-level tracks in primary school has been playing its keyboard adapted version of "Moonlit Night" and other tunes have a preliminary understanding. At the same time the work is very fond of unique national style and creative techniques. This article is from the perspective of the theory of composition techniques, to study the use of traditional Chinese musical instruments plus a common interpretation of Western musical instrument unique works of Chinese national characteristics. The main research program is starting from the work itself, its research and other creative techniques and ethnic characteristics.Thesis focused on: the harmony, orchestration and texture use as the focus of research articles; difficulty thesis is: to features of the nation, from ethnic harmony, melody ethnic style and creative use of aesthetic elements ethnic point of view, detailed analysis; integration of national and Western instruments. Innovation thesis is: 1 in the creation of works using Chinese and Western techniques with Western instruments, traditional composition techniques to the interpretation of Chinese national style works; 2 this first with strong ethnic style of the band works in the creative techniques not a lot of analysis. So there is a certain breakthrough and innovation. 3 Although "Moonlit Night" for the material analysis of many articles, but Mr. Gao Wei Jie from the 12 October issue of the creation of "Moonlit Night" pipa and orchestra works very little analysis, so there are some studies value. This paper is divided into three parts:The first part: The author works as well as a brief introduction.The second part: The thematic material, modal tonality, harmony style and color, texture level, orchestration techniques in musical performance and personality are common to comparative analysis.Part III: The collision and fusion of Chinese and Western cultures to introduce.
Keywords/Search Tags:Moonlit Night, pipa and orchestra, fusion of Chinese and Western, compositional techniques
PDF Full Text Request
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