A Study Of Kim Ki - De 's Semi - Abstract Film Theory

At the end of the 20th century in just a few years, the south Korean domestic film developed rapidly, there are several director gradually and recognized by the world attention, many times won international film festival numerous awards. Among these was referred to as "non-mainstream" Kim ki-duk film director. This is known as one of the three outstanding director of contemporary Korean, Kim ki-duk has clung to its own unique creative ideas and personal style, will be half of abstract painting theory reference to his own movie, puts forward the theory of "abstract" movie alone. The most remarkable characteristics is known as the south Korean film director, the most notable director a great personality.Kim ki-duk semi abstract films are representative. But has always been controversial. He used extreme violence to reflect the human nature and the profound tragedy, never shy away from the political and social reality, but most take the form of metaphor. In the film is full of suggest various symbols and strong sense of form.Fragmentation of marginal figures, especially the role of women in Kim ki-duk film has a pivotal position. His movies until the depths of the human nature, has carried on the deep exploration on human nature, but also has the commonness of human nature.So Kim ki-duk semi abstract film as the research object, for further discussion, also the Kim of the unique style for a more comprehensive understanding.Movies from the selection of subjects to convey to the film’s theme of human sin and beauty, can let the audience feel his strong desire to communicate and semi abstract movie style which is yet to mature. Semi abstract film is still in the stage of development, there is a new form of, let us see Kim ki-duk director’s talent and ability,but also hope in the future development of semi abstract films can in Asia or the world get more recognition and praise. Hope Kim ki-duk will "abstract" the film theory in developing more and more perfect and mature. Believe in the future and there will be more and more audience appreciation and love his movies.Articles in four chapters to discuss the understanding of Kim ki-duk half abstract movies, first briefly introduce the theory of abstract painting, because Kim ki-duk film theory of abstract is influenced by semi abstract painting, then, again half-and-half abstract film theory study, and half abstraction of Kim ki-duk film’s masterpiece "drift to room", "bad boy" and other films as the main object of research,from the theme, characters, setting and audio-visual language space to further detail to Kim ki-duk half abstract movies one by one. Finally, again through the personal and social reasons of the two aspects to Kim ki-duk half abstract movies and gradually the development of the cause, the final half abstract the significance of film theory and reflection were summarized.