The Evolution Of Traditional Chinese Figure Painting Of The Stylized

Dynasties of China has always attached importance to the program's research and heritage, so the implementation of the painting above, provided that the person ages to study painting, always start from copying paintings of our ancestors in the form of starting to grasp the basic vocabulary, including pen and ink techniques, composition method And modeling principles, etc., Sheikh in the "Six" theory emphasizes the "Tradition of facsimile, " Tradition is very important to depict the one hand, the object is a program that summed up the experience of their predecessors. The legacy of history, outstanding works of later artists is inexhaustible wealth, the wealth of previous learning program is later studied painting portraits are the threshold into a shortcut, and continue to nourish future generations of artists art. Therefore, the study between the ancient painter studying under the program for painting and evolution of relations, clear portraits created and spread so far technique and aesthetic context of the program for the development of figure painting, especially in the strong influence by Western culture today, Even more critical. From the figure the angle of practice, to explore the artist's representation of ancient dynasties and creative style of painting techniques and their evolution between the Teachers and sort out the evolution of figure painting, and change the program. Analyzed during the period from Wei to the Tang Dynasty representative figures of the period created by the artistic style of the artist to study the stylized figure construction boom, and has been a rough description of the bird from the late Tang, Landscape Painting in China were occupied during the school status The stylized figure painting process, the final conclusion on the above, that figure is to diversity and the experimental program, the stylized figure painting process continues, and will continue to dominate the evolution of China's drawing style.