An Analysis Of Beethoven 's Playing "Piano And Cello Sonata Opus

Ludwig van Beethoven(1770-1827)was born in Bonn, Germany, is one of the important composers of classical in Vienna.The cello from Bach era begin to be taken seriously, until Haydn, Mozart era gradually more important position, but the two composers don’t have enough to discover the cello for the characteristics of this instrument. Until Beethoven’s era,the sonata, cello range expansion, its characteristics are more fully tapped.Beethoven’s works for the cello and piano music has five sonatas and three variations. This article selects the third piano and cello sonata as the research object, through the introduction to the background, and the harmony and form analysis in combination with the author after the piano practice, to further interpret as a pianist in the play practice need to focus on problems.This paper is divided into four parts:the first part is the introduction;the second part of the work mainly analyzes the structure and music composer organization technique; the third part the author from the perspective of the pianist playing practice to raise some issues which need to pay attention to when playing;the fourth part is the conclusion.