The Application And Development Of "Crying Marriage" In Music Creation

In China, the m arriage culture in ancient tim es spread throughout the changes, Wedding music is the essence of the historic al and cultural heritage, the inheritance and development from these we can see di fferent historical and political, econom ic and cultural impact on the artis tic transformation of ethnic wedding song.In China are the largest ethnic minorities in Yunnan province, of all ethnic groups in the form of different passing on China’ s traditional culture and long history. The yi and hani minority in the population is m ore two ethnic groups, their wedding song also absorption and penetration of the Chines e nation history knowledge, belief, art, morality, law and custom, etc., formed the singing of symbolic expression, and down from generation to generation in history. This paper choose Yunnan hani yi and the marriage customs of music in the music cryi ng marriage as the res earch object, in order to further understand and study the development of our country’ s ethnic minority music culture.The use of folk m usic material of modern music creation in a wide variety of ethnic music has gradually been familiar. Weeping is from ancient China is popular a kind of wedding customs, until today in som e remote areas is still prevalent, weeping is wedding culture is an important part of, and the form ation of a very distinctive national and folk music. Many studies before most of history from the perspective of folklore, psychology and social anthropology to analyze the weeping, standing in the point of view of ethnomusicol ogy to study the characteristi cs of weeping in m usic. This article is in music creation for the application and development of "wedding" of folklore, folk music and related research as the foundation, em phasize the effect of wedding culture of professional m usic creation, application and in the present s tage and the trend of development in the future.