Research On Cultural Analysis Of Western Liaoning Peace Drum

The Liaoxi peace drum is mainly one kind of self-entertainment's artistic form for the Liaoxi folk woman's, which reflected working women's both production and life scene. It performance in traditional lunar new year's season period (From Spring Festival to Lantern Festival period).The peace drum is spontaneous populace's self-entertaining organized by the superb skill person, so it become important content celebrating new year. We may see from peace drum's origination and development vein, during the traditional time, this ceremony activity penetrating in the middle of the sacrificial and the holiday ritual, helps the local populace implore the good weather,grain harvest,safe propitious desire, which is material carrier of the populace in term of traditional folk belief. In the country ideology control,modernized and cultural diversity's advancement, Liaoxi peace drum has had the variation inevitably, but it is constructed again.Samanism contained in the peace drum has had varied gradually. Along with each benefit community and the media organization's involvement, once only takes as the populace's entertainment method during farming, now already unified with the modern linguistic environment, showing the evolution and the inheritance. Because the constructed process which promote the local government and the national non-material cultural heritage protection movement to take the peace drum as the central benefit, thus formed the specific mechanism. Each benefit community started to research the truth of traditional culture.Through the reconstruction, enhanced populace's cultural self-consciousness objectively and strengthened the populace's protection consciousness to the culture, which makes the populace to start to know and understand traditional culture. The local populace is considered as the inheritance person and the annotation of culture, their culture's cognition has the very important function to the local culture's inheritance and the development. On the other hand, scholars begin further research to the folk custom culture to consider the folk custom's truth. The scholars start to realize that so-called truth, just the specific crowd gives a relative standard. The research has also experienced from the static to the dynamic process. With the transferred idea, the scholar and the populace start to turn from protecting"the thing"into its culture ecological environment protection and inheritance emphasis, placing the visible heritage and invisible heritage in the equal status. Therefore, the understanding to the traditional folk custom culture should be different from person to person timely.This article sets up the introduction,the conclusion. The main text is divided into four chapters: The introduction has pointed the topic goal and the significance,present research situation,research technique and the data source. The first chapter introduces Liaoxi peace drum's outline, mainly the survival nature and the social environment; Liaoxi peace drum's production and development vein; Liaoxi peace drum's performance process, which concludes Liaoxi peace drum's performance content, taking the peasant family life,rural women's life condition as well as the local conditions and social customs and the scenic spot scenery as theme; Next introduces the Liaoxi peace drum's performance characteristic, one kind is hitting while dancing, another kind is hitting while singing. The peace drum performances freely without population limit. The second chapter display Manchu culture and regional culture from the utensil level,the folk custom level and the folk custom belief level. They carry on the explanation and the analysis of peace drum, promulgating its society and the cultural connotation and displaying peace drum's inheritance vein. The third chapter carefully examines the Liaoxi peace drum's cultural function from the multi-dimensional angle of view. The peace drum is not only the medium between the god and the human, but also strengthens populace's folk belief; It adjusts the interpersonal relationship called"the lubricant"; In addition, the peace drum is not only the performance process for populace tradition esthetic, it is also the link between women community. The fourth chapter explains the Liaoxi peace's inheriting crisis in the modernized linguistic environment. The scholar and the populaces start to judge tradition folk custom culture in the view of development.