Silhouette Shape Of Chinese Figure Painting

Main points of the article, that the silhouette styling is the basic shape of ancient Chinese figure painting method defined on the silhouette styling, demonstration of its features, production and development base, the position in the figure and role; paper silhouette styling characteristics of plane lines of Chinese figure painting, ink and other techniques to promote the development of the role; discusses the broad silhouette styling, exaggerated and abstract features, contributed to the performance of Chinese Figure Painting and characteristics; paper silhouette styling nearly parallel The unique perspective projection rule, Chinese paintings have a unique basis for the image space. Respected literary articles have a profound effect on the painting, the view that the silhouette styling from the objective reality of the machinery for tracing, the artist is not in the creation of a slave, can reach for the paper for the freedom of the spirit of Fu and can better convey the artist subjective feelings. The article also shows that due to historical reasons, the ancient Chinese characters are not well understand the artist human anatomy, form the shape of the characters often rely on cognitive philosophy and painting the picture summarized in decisions, reflected in the silhouette styling is modeling based on the figure, more than a thousand people side, the shortcomings of rigid motion.The article also pointed out that the concept is now under the influence of Western style, the Chinese figure painting to develop, it is necessary to draw the shape of the Western concept of Western methods for my method, also inherited silhouette styling is not a slave to the spirit of freedom, in order to better inherited the essence of the traditional pen and ink, to carry forward the unique cultural characteristics of Chinese figure painting.