Xinjiang's Ili The Qapqal Region Xibe Khan Spring

Xibo "han du chun" (music play, also known as the "Yang ge"), is referred to Xibo theater, as a music play, it is also populared with Xibo people..It is a new folk opera art that Xibo artists use their own artistic characteristics of the nation for creation on the basis of the flat tones and the more stressed, it absorbs sweat outstanding cultural achievements created by the man and han. It is a unique art of opera by moved westward to Xinjiang Xibo people in the context of immigration,and in the long-term practice with the cultural needs of the nation.it is the births of immigrant culture.It only exists in northern Xinjiang yili chabuchaer areas. We can say that it is multi-ethnic blend of Xibo witness. It not only highlights the artistic characteristics of the nation, but also absorbs the art of other nations, it is the true reflection of Xibo people's cultural tolerant psychology and also a hybrid performance in Xibo diverse culture, therefore,it is a wonder in Xibo literature.At the same time,it is the representatives of only existing folk opera arts in xibo.This article take the"han du chun" in chabuchaer region as the research object, on the basis of the field study and literature survey, we plan to preliminarily stuy the background, origins and development of "han du chun's"generation. And accent system evolution, lists of plays'collection, classification of traditional content, plays music and performing arts and other aspects. We briefly summarize the Xibo "han du chun" as folk art in the characteristics and problems of all aspects.In addition to the preface and conclusion, the text is divided into six parts.The basic contents are as follows:1,Overview of Xibo. literature and opera. Study the whole profile of xibo literature and opera.In the literature, it presents the following characteristics:(1)it absorbs the essence of Manhan literature on the basis of the national literature; (2) developed oral folk literature.But on the whole, it has been neglected and marginalized; in the opera, there are the main three kinds of appreciation in the form:Zhu Lun Hulan Bi (read that), more heart than (singing), han DuChun (that Yanger, play). This three kinds have different content because of their different forms, among them "handuchun" art as the topics of this article is the most complex opera art. it is divided into the flat tone and the more stressed, it is a new opera created because of fusion of various factors in the lateenvironment by Xibo people who migrate westward Xinjiang.They were classified as intangible cultural heritage in 2007.2,the historical and cultural background of XiBo Opera "Han Duchun".This chapter begins with the survival geographical environment of the westward XiBo.dates from this nation's history evolution and culture features, we emphasis that in the migratory movements to Xinjiang held in the Qing Dynasty, Qin government send large immigrations in order to move westward to,be settlement and frontiers. and in such decision-making,people create a new culture-immigrant culture, various immigrant groups and tribes in the confluence of Xinjiang, which create the objective conditions. for the formation and development of "Han Dunchun"3,The study of the source, the development and cavity system for "Han Dunchun,".This chapter examines the circumstances of "Han Duchun,"'s formation and development, and according to the investigation and documentation,study its cavity system (the flat tone and the more stressed) and some related issues.4,The study of the traditional repertoire for "Han Duchun". This chapter examines the collection of repertoire for "Han Duchun", the classification of content and form and the comparison among other parts of the Northwest of opera repertoire.5,The study of music for "Han Duchun".This chapter starts from the tune a stringed instrument approach and the accompanying instruments,the structure of the flat tone and the more stressed, and singing language in order to explore it's ontology.in the music.6,The study of the performing arts for "Han Duchun". This chapter will make "Han duchun" compare with the traditional opera art, study its characteristics of generality and individuality compared with traditional opera in aspects of the performance as a kind of local folk opera, and After comparison,we find that it focus on the features of traditional opera and national opera in one. as a national opera,The conclusion part is an overview of the key points of each chapter, and notes the reason that the Xibe national minority "Han Duchun" is able to produce and can be the long-term preservation, there are two main reasons:on the one hand, the various nationalities'great migration and the big immigrant provides the basis for integration conformity and production of "Han Duchun"; On the other hand, the similarity of lifestyle and folklore also provide a suitable existing space for the inheritance of "Han Duchun" After the time elutriation and historical accumulation.it has been internalized into a immigrant culture of nationalization, becomes a collective unconscious choice of the era of self-identity for people in the moving westward time. However, with the Consumption Age arrival, the mass media and other modern cultures are eroding this kind of characteristic culture art, it needs people's rescue and protection.