| The documentary is a audio-visual art. In addition to information on the screen to the audience, the sound also is involved. The documentary without sound is just like a deaf person. In a long period of time, the sound of documentary has been ignored, only did the creators focus the camera's eyes and ignores their ears. Recently, with the documentary market gradually has been warming up, the sound creation has been put on the agenda, "the Great Wall," the general director Liu Xiao Li even said:"If we want the programs to be innovative, first and for most is to have a breakthrough on the sound, the sound is the foundation of creation of programs success. "Paying attention on the sound is not only the nature of documentary requirements, but also the factor in promoting prosperity and documentaries. Facing the popular commercial documentaries in the market, the sound element is indispensable, it is effective to enhance the ornamental value, dissemination of documentary value, training audience and promoting documentaries market maturity.Even so, the sound of documentary is still in a secondary position compared with the screen, except for some outstanding films, mostly, the sound production remained rough, it can not effectively play the role of sound in film, sound ideas and production standards is ragged. While in academia, documentary sound is not in vogue, except for some papers, there is no monograph. So, how can we create the basis for the industry with this theory research, guidance is out of the question.The research is based on the situation above, selecting the Chinese and foreign documentaries since 2000 as scripts, anglicizing the sound of whole film, including actual recording, sound effects and music, according to its own narrative structure of films of linear analysis, which was a documentary following the sound of the new millennium status, through comparison of Chinese and foreign films to find differences and gaps, trying to sound the Chinese documentary research components contribute to creation theory. Therefore, this study will be divided into the following sections to illustrate:Chapterâ… , starting from the nature of the documentary film to discuss the rightful place of sound in the film. This is the foundation of setting up, if there is no sound in the movie, or optional, then the study will not make any sense. In the extension, it will also discuss the role of sound and the ability to create space to further explain the need for sound and importance of the film.Chapterâ…¡, anglicizing of the new millennium Chinese and foreign documentaries. These films in a way can represent the current status.Different methods and different subjects on the creation of the sound will have different requirements, some emphasis actual recording video, some films are more relying on commentary, others are more relying on music. Of course, the voice of each film is not only focus one, so there is no significant and insignificant at the points, but suitable, excellent using was appropriate. The scene of the current popular sound reproduction methods in use are discussed separately, made this part of the sound should be self-contained and should not be attached to actual recording, the premise of the self-contained performance space will have broader.Chapterâ…¢, the conclusion. Through the above subjects and the performance of different methods of documentaries, drawn among the various sound elements of the role of the documentaries, describes this part of the reference as little as possible and strive to have been well-known voice role will focus on newly discovered and, of course, the sound of those wonderful creation will have some comments.Chapterâ…£, Comparing with Chinese and foreign documentaries sound. To promote the prosperity of their documentaries, enrich our theoretical system is the purpose of this study. In this section, it is clearing that Chinese documentaries sound creation features and the gap with foreign documentaries and to propose possible solutions as far as possible. |
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