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The Concept Of Relying On The "part-based" Analysis Of Bach's "sarabande" And "gigue" Interpretations

Posted on:2012-09-27Degree:MasterType:Thesis
Country:ChinaCandidate:Y X ZhouFull Text:PDF
GTID:2205330335982200Subject:Music
Abstract/Summary:PDF Full Text Request
This paper relies on "voice divide" concept analysis and interpretations of the work object is the great German Baroque composer JS Bach (Johann Sebastian Bach) for violin composed by the "Six Suites for Unaccompanied Sonata and" in "d minor Suite No." The third, fourth movement - "Sarabande" and "Gigue." In-depth understanding of the composer's life, creative style and creative background associated with the work based on the understanding of the history of polyphonic music. To 1, Bach's manuscripts; 2, features works of the genre; 3, Works of harmony and musical structure; 4, Nathan. Millstein (Nathan Milstein) and the other two playing the masters; the above four aspects of the material as "voice divide" the main basis. Through repeated practice, research and analysis, performed in the work methods and performance practices, a more detailed clarification of the author's views and insights.
Keywords/Search Tags:Bach, "Sarabande", "Gigue", Homophony, Polyphony, Voice divide, Analysis and Interpretations
PDF Full Text Request
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