Kieslowski's Film Interpretation Of The Individual Situation

Kieslowski Krzysztof is one of the most important film directors during the 1990s.His movie has a distinct personal style difficult to imitate,filled with concern in survival circumstances of human-beings in modern society,deep humanitarian themes,philosophy narrative and personal camera language.In his early works, the documentary films are close to realism style.Until his mature film period,The Decalogue,The Double Life Of Veronique,Three Colours:Blue,White,Red begin to demonstrate profundity expressionist aesthetics style uniformly.Kieslowski is deep affected by literature and existentialism or some philosophical trend.He blends camera language,philosophic thought and calm darwing to the low plot narrative.He finds unusual things behind normal life when he describes Polish and European people's life.He tells some thought-provoking stories from the ethical dilemma in life.In these mysterious poetic works,Kieslowski explores people's inner emotional faith.He always stares individual destiny with warmth and relief.The thesis combines with existentialism theory,director's film life and works,to investigate philosophic and humanity thought in his latest films.The thesis also with the help of semiotics theory,to read the forms and metaphor of director's will and Artistic concept in films.His belief and feelings,his focus and thought in human-begins'destiny and his humanitarism perspective are all in the metaphysical materialized narratation.