This paper relates to Albert Camus, a famous French philospher and artist in the 20th century and a Nobel Prize winner of Literature.This paper mainly relates to Camus' philosophy works, and to some extent, hisnovels and dramas. Through comprehending Camus' absurd existence philosophy and its possibilities, analyzing the passions encountered by the absurd human and iconoclast in their lives, and their expressing modes, and finally discussing the possibilities of absurdity being created and Art's rebellious glories, the paper tries to make the existing spirits of Camus' absurdity clearly.The writer concludes that when reading Camus', what is meaningful is that facing absurdity ─ the modern self destiny, Camus uses one unmatchable existing attitude to create a living art in the disastrous times and then raises the human tragic spirits to a summit. While coinciding with the clay, the world is our original and final love. |