On The Northeast, "the Mouth" Articulation "technique And Its Characteristics

Song-and-dance duet is a kind of unique art. The art of singing is one main means to attract and infect the audience. Actors often say: "words are less influential than singing and sing shall be No. one." In singing great importance is attached to clear articulation, a mellow and full tone and correct pronunciation. Articulation shall play a main role and tone a minor role, which is of great importance in performing the song-and-dance duet. Based on the eminent characteristics, the author tries to achieve the following research purposes:1. from the articulation skill of performing the song-and-dance duet, the starting point, to reflect the linguistic feature in articulation so that people could enjoy the indigenous artistic style of the song-and-dance duet.2. through the artistic regulation of articulation, to summarize the artistic features of articulation so as to reflect the linguistic features of northern-east dialect and the characteristics of black-soil culture.3. through studying the skills and features of articulation in singing the song-and-dance duet, to give some references to other arts of vocal music and to enrich my own skills and expertise in the teaching and performance.Clear articulation is essential to every kind of art of vocal music and closely related with the singing skills of other kinds of vocal music. Whatmakes vocal music so outstanding is that it can directly express our emotions through clear and beautiful language and that it tends to make direct communication with the inner feelings of listeners. Therefore, articulation is prerequisite for the singing art. In the teaching and study only through combining breath, sound and pronunciation, can the aesthetic functions of vocal music be developed so as to achieve infectious artistic result.The paper is based on studying the features of national vocal music and attaches importance to the combination of theories and practice. It elaborates on the skills and features of articulation in the song-and-dance duet to give prominence to the valuable asset of the duet, hoping the vocal music workers can draw upon some skills and features. It is divided into four chapters:In accordance with the speech regulation of Chinese characters, the first chapter expounds respectively the training methods such as the basic structures of characters and speech, the place and method of articulation and tone four.This second chapter focuses on the performing methods of articulation and speech in singing, i.e. to mobilize the voicing parts according to articulation. It elaborates on the moving means of organs in articulation and the rhythm features of 13 lines of track. Special introduction is given to how to mobilize the voicing parts for somearticulation and speeches.The third chapter summarizes the artistic regulation of articulation. The beginning part of every word shall be articulated forcefully, correctly and clearly; the middle part fully and without distortion; the ending part in a finished manner.In the fourth chapter the author tells us that the northern-east dialect plays a foundation role in shaping the linguistic style of the duet and is a director factor to shape the rhythm of the duet. But for every kind of vocal music art, its features can not be embodied only by one skill. The skills in other performances must be combined to make more achievements. In this chapter the author helps us to take a look at the artistic features of articulation in a dialectic way.The paper tries to sum up the artistic features of the song-and-dance duet in articulation such as flexible, easy to understand, impartial, clear articulation and full tone, indigenous and appealing from entirely new perspectives of many subjects like phonetics, cultural anthropology, ethnology and folklore. And the paper asks the national vocal music staff to master skills and keep improving our national vocal music so as to make some academic achievements.